Kool Keith & Ced Gee Talk Keith Flint Of The Prodigy’s Impact On Ultramagnetic MCs’ Legacy

Posted on in Fresh Gems

New York, NY – Ultramagnetic MCs’ seminal 1988 debut Critical Beatdown paved the way in which for underground rap’s aesthetics sample-based boom-bap manufacturing, unorthodox rhyme cadences with futuristic lyricism and absurdist humor.

In the 90s, the Bronx legends affect additionally stretched throughout Hip Hop when Kool Keith went solo together with his groundbreaking “various rap” venture Dr. Octagon and pornographic aspirations on Sex Style in 1997.

Meanwhile, British digital band The Prodigy propelled rave tradition and digital music into mainstream shops similar to MTV and various rock radio stations throughout the Atlantic that very same yr.

The two acts have been pals and occasional collaborators and their viewers embraced Keith’s eccentric music. When The Prodigy’s longtime frontman tragically handed away on March four, many followers had Kool Keith’s memorable sampled lyric within the group’s multi-platinum single “Smack My Bitch Up” from their breakthrough third album The Fat Of The Land.

We talked with Kool Keith and his 30-plus-year rhyme companion/co-producer Ced Gee about The Prodigy’s impression on Ultramagnetic MCs’ profession into 90s, Keith’s label drama with Sony over his album Black Elvis/Lost In Space 20 years in the past, and his profitable pompadour wigs.

Kool Keith & Ced Gee Explain Their Big Payday Collaborating With The Prodigy

How did you join with Keith Flint and The Prodigy once they sampled Ultramagnetic MCs’ “Give The Drummer Some” for his or her hit single “Smack My Bitch Up” in 1997?

Kool Keith: They had known as me up. Liam (Howlett The Prodigy) was an excellent good friend anyway.

Ced Gee: Let me inform how he obtained his quantity. What occurred was they have been working with the president Next Plateau Records] Eddie O’ Loughlin on the time, he cleared the pattern, so Eddie mentioned, “Why don’t you simply do it recent with Keith?” Because I used to be working at Next Plateau on the time as the pinnacle A&R and we gave them Keith’s quantity and that’s how the attain out turned. That’s how they began working collectively.

Did you’ve any private connections with Keith Flint and the Prodigy past recording within the studio?

Kool Keith: Yeah, I did reveals with them when the report got here out. I did one or two reveals with them. One them in New York and one other I feel in Melbourne, Australia. I used to be backstage with them and he was a cool individual. They had lots champagne, lots ladies and funky digital music. That was a pleasant tour on the market with them and for the primary time it was good that I had actual enjoyable with these guys. I feel Ced and I have been in Europe one time and likewise with Kut Masta] Kurt and we went over to their label to speak another stuff and offers. But they have been all the time on the highway. I went over there to try to money a verify however couldn’t money it and it had Maverick (Records) on it.

That’s Madonna’s label Maverick. Why couldn’t you money it?

Ced Ged: He just isn’t a European citizen in order that they’re not going to money that verify as a result of they will’t tax him. That’s why they’re trying to deport 21 Savage. His inexperienced card ran out as a result of he’s been over right here caking up and so they can’t tax him, so he’s gotta go. Every nation needs to tax you and that’s why they ask you getting f the aircraft…

Kool Keith: I heard he obtained out that. Does it present that he’s cleared now?

Ced Gee: No. That means he did a deal. Just such as you do a cope with the IRS, that imply’s he’s gonna pay taxes. That’s all they needed. There by no means actually was nothing apart from having him pay once they discovered his inexperienced card had run out for thus lengthy and so they have been like, “Look, you owe this. You both pay otherwise you go away.”

Kool Keith: Yeah, so anyway, we have been searching for the group The Prodigy] and so they weren’t there. I by no means might catch them at residence. Keith Flint and people guys all the time had just like the bizarre haircuts and stuff like that.

Keith, the British industrial music scene appeared to uphold your music like on Dr. Octagon together with The Prodigy in 1997.

Kool Keith: They had one other album (Always Outnumbered, Never Outgunned) with the massive lips on it the place they sampled our stuff, too.

Ced Gee: Yeah, on the Warner ASCAP pattern statements however can’t keep in mind f hand. Editor’s word: The songs that includes Kool Keith have been “Wake Up Call” and “You’ll Be Under My Wheels”]. It didn’t generate like “Smack My Bitch Up,” however nonetheless.

Kool Keith: “Smack My Bitch Up” was a sensational hit f The Fat Of The Land which bought over three million copies. We had licensed platinum plaques for that.

How huge was your verify from the “Smack My Bitch Up” pattern?

Ced Gee: I used to be beneath a levy from the IRS at the moment. The “Smack My Bitch Up” pattern paid f the levy which was about $100,00zero. After it was over and all corrected, I nonetheless had $18,00zero. That’s how candy that was (Laughs). I obtained that, so think about what the Ultramagnetic MCs] made.

Kool Keith: I by no means needed to run round to chase that cash and I used to be offered for nicely. And I hope that band didn’t break up, however Keith was such an vital individual because the lead singer within the band. That’s like Michael Jackson in Jackson 5, Kurt Cobain, so it’s form arduous. Usually an individual goes lacking just like the drummer or the horn participant however if you obtained somebody like that’s Ron Isley within the Isley Brothers gone, the lead individual. He was the nucleus that band.

Kool Keith Talks 20th Anniversaries Dr. Dooom, “Black Elvis/Lost In Space” & His Wigs

This yr marks the 20th anniversary yr your albums Dr. Dooom First Come/First Served and Black Elvis/Lost In Space, Keith. Can you speak concerning the artistic course of these albums and your try to get f your main label cope with Sony following the latter launch?

Kool Keith: What occurred was Sony took Black Elvis and was attempting to carry it on the shelf. So, Dr. Dooom was the mad model Black Elvis, mainly to be like grumbling. Being that they have been holding the album, I did one other album and that was Dr. Dooom as a result of I used to be getting mad within the ready course of and the mad individual like “Fuck that, I’m gonna this out as a result of Sony’s not placing out Black Elvis.” All the songs have been mad, however it was one other man with the identical wig. Ced Gee laughs]

And I wasn’t restricted by a report firm. I put it out by way of Nu Groove Records] within the Bay Area. I mentioned, “To hell with it, fuck it” and at the moment I felt like I created one other individual as a result of the most important label scenario.

You labored with Kut Masta Kurt, Motion Man, and Jacky Jasper who have been all Bay Area artists on Dr. Dooom’s First Come/First Served.

Kool Keith: Yeah. When Ultramagnetic MCs] first went to the Bay Area for the Jimmy Jam present, it was me, Ced, Moe and Trev, we had a present in Oakland and have been performing some stuff in San Francisco, that was simply our life basically. And that’s when Dr. Dooom took place.

Ced Gee: That’s the way you attached with Kurt. We did a radio interview on the market.

Kool Keith: Yeah, Kurt was a fan.

Ced Gee: He had a school radio station present for him. And for Jimmy Jam, there was like an underground TV station that aired throughout Oakland and it was form cool as a result of folks have been calling in reside.

Let’s discuss that memorable Elvis pompadour wig. I heard an interview on Ed Lover’s radio present if you mentioned followers have been mad at you in the event that they didn’t see you put on it in public again then.

Kool Keith: Oh yeah! I imply that wig was making me $7,00zero an evening, so I couldn’t not love the wig. But it was simply arduous as a result of they didn’t know the protocol the wig, taping it on with actual glue each night time, like actual cement glue on my sideburns. I had to make use of some form stuff to get it f like benzene, stuff you employ to take away paint each night time and the wig was crammed with water inside from sweating and I needed to pour it out Ced Gee laughs].

It was loopy. I had like three or 4 them on the tour bus that I’d rotate. When Black Elvis got here out, the tour went on and reveals have been wall-to-wall packed and I couldn’t consider that folks have been popping out to see this wig.

I recall you despatched out an e-mail e-newsletter to your followers urging them to write down grievance letters or name up Sony’s fice as a result of it didn’t correctly promote Black Elvis. Ced Gee laughs]

Kool Keith: Oh, the e-mail blast. Rather a lot it was that Sony held the album for a very long time and it was the up-top folks and I had a pair pals like Rich Nice working there. I feel two totally different departments have been combating over the album, the city division and the choice division. So that was the tug warfare over the album. Rich Nice was saying that they didn’t know what division would work the album, and I’m like, “What?” He mentioned, “Yeah, they’re all attempting to decide.” It was form various in order that they didn’t know. They’re those who needed to do the album cowl like that with the futuristic factor, however I had initially deliberate it to be the city Black Elvis. They took it to extra the outer area and the paintings however it turned out good and traditional for what it’s. It was only a confused advertising and marketing plan. It was truly distributed by way of Ruffhouse.

You had Sadat X as a featured visitor on Black Elvis. For anybody who is aware of Hip Hop, that album ought to’ve been an urban-marketed album based mostly on that alone.

Kool Keith: Yeah, I known as him up as a result of I wanted yet another characteristic. We had Roger Troutman down there. Roger was loopy with the Vocoder and he mentioned, “Get me one other engineer,” so I had Joe The Butcher to combine the album, and he was like our uncle, proper, Ced?

Ced Gee: Yup!

Kool Keith & Ced Gee On Ultramagnetic MCs’ Early Connections To KRS-One & Public Enemy

What are the subsequent tasks that you’ve got slated for 2019?

Kool Keith: I simply did an album with Psycho Les ( The Beatnuts) that’s popping out. I obtained Paul Wall, Jeru The Damaja, Erick Sermon and B-Real from Cypress Hill on it. There’s some dope manufacturing and Psycho Les did the beats. It’s not like I did on Feature Magnetic however it sounds good as a result of The Beatnuts do all kind beats for various folks, however the album have been extra totally different than the folks normally select. That must be proper across the nook subsequent month. Ced’s obtained an album and did stuff he wouldn’t usually do. I did a pair songs with him.

Ced Gee: We attempt to perform a little bit all the pieces like he mentioned. Stuff that’s conventional however extra futuristic. We did lots people who surprises folks

Kool Keith: Stuff that received’t put us in a field and sells vary.

Ced Gee: We go from previous to new. We cowl all of the eras after which we go deep and additional than that.

Kool Keith: The album we name Ced Gee’s “Delta” however the level is that we did stuff that we needed to get away from totally different varieties folks and do on our personal. You need to go away from the music business who lots instances says you must keep at what you do. We needed to eradicate lots infections and go into the studio ourselves.

Ced Gee: We went again to the roots. That’s how we began with simply me and Keith after which introduced everyone alongside. Take it again to the place tear issues down and begin again up.

Kool Keith: We went by way of what lots teams undergo which was lots dictatorship and we needed to cease that early. Me and Ced have been the music engine the group first as a result of all of the hits on the Critical Beatdown album) like “Ego Trippin’” I obtained. “Funky” and “Give The Drummer Some,” late engineer/producer] Paul C attached, however all the opposite data on the album have been nice, too, however Ced and me had the primary singles. Everybody else did their elements and Moe Love had “Moe Love Is On The Cut” and that was a success DJ report.

The foremost basis from after we began was all the time me and Ced.

Ced, your primal affect on sampling James Brown and drum programming in your manufacturing within the mid-80s when Ultramagnetic MCs took f isn’t talked about sufficient. This goes on your affect on Boogie Down Productions and Public Enemy’s beats. You and Keith have been additionally in P.E.’s “Black Steel In The Hour Of Chaos” video.

Ced Gee: Oh yeah, there was an actual hearth at that video shoot.

Really? How’d that occur?

Kool Keith: (Laughs) Ced, how did the fireplace begin?

Ced Gee: It was in the course of the riot scene the video. They lit a match to catch hearth and that shit simply caught onto all the pieces else. We have been working round pretending like we have been combating, it was enjoyable. Then they have been like “Yo! We gotta get out, there’s an actual hearth!” They shut the video down for some time and the fireplace division needed to are available. Me, Keith and Flavor] Flav began snapping whereas they have been cleansing up. It was in an previous deserted jail in Staten Island.

Boogie Down Productions even talked about you of their liner notes Criminal Minded. Legend has it that KRS-One was previously named MC Larry G in an early version Ultramag. Is that true?

Ced Gee: Nah, the factor was that Kris might’ve been a member Ultramagnetic, identical to Keith might’ve been an early member BDP as a result of we have been all working collectively. That’s what that was. Everybody was over on the crib to do issues, and it was extra Keith than Kris for Ultramagnetic. Out the entire batch MCs, Keith and Kris have been the most effective. So it merged all the way down to Scott La Rock] taking Kris from the folks he was dealing after which Keith from the folks he was coping with to make the issues develop to the extent the place they might be appreciated for his or her abilities.

That’s what occurred.

Kool Keith: Right.

Follow Kool Keith on Instagram @ficialkoolkeith for his forthcoming 2019 updates and go to here to signal the petition to erect a statue in Keith Flint’s hometown.